'Oramics: Atlantis Anew' film on display at the Science Museum, London
10 October 2011- 31 December 2014
An excerpt can be seen online on the Wire Magazine website:

‘Curiosity: Art and the Pleasures of Knowing’
Group exhibition Hayward Touring exhibition in association with Cabinet Magazine, curated by Brian Dillon
De Appel, Amsterdam
27 June – 14 September 2014

‘Transform: Lis Rhodes and Aura Satz’
Screenings and conversation at Tate Britain
22nd September 2014

‘Mirror City: London artists on fiction and reality’
Group exhibition at Hayward Gallery curated by Stephanie Rosenthal
14 October 2014 -5 January 2015

'Chromatic Aberration’
Solo show at the Gallery, Tyneside Cinema, Newcastle
22nd October- 21st November 2014

'They Used to Call it the Moon'
Baltic, group exhibition curated by Alessandro Vincintelli
31 October 2014 – 11 January 2015

‘Dial Tone Drone’
New sound Commission for Telephone, outside Royal Academy London, featuring Pauline Oliveros and Laurie Spiegel
15 Nov 2014 - 9 January 2015

15th Nov - Launch performance with Elaine Mitchener and Jennifer Walshe at Hayward Gallery

‘Eyelids Leaking Light'
Solo show at George Eastman Museum, Rochester, New York
24th January – 26th April 2015

'Onomatopoeic Alphabet' screening as part of Performance, Architecture, Materials, Sweden curated by Marianne Mulvey
24 September - 14 October 2015

'Chromatic Aberration' Screening as part of FNC Lab Competition at the 44th Festival du nouveau cinéma, Montreal, Canada
7-18 October 2015

'Chromatic Aberration' Screening as part of the 59th BFI London Film Festival BFI Southbank, NFT3, London
16 October 2015

'Chromatic Aberration' Screening as part of the Fascinations Competition at the 19th Jihlava International Documentary Film Festival, Jihlava, Czech Republic
27 October - 1 November 2015

'Chromatic Aberration' Screening as part of the International Competition at the 17th International Film Festival Bratislava, Slovakia
12-17 November 2015

'The Trembling Line'
Solo show at John Hansard Gallery, Southampton
3 December 2015 – 23 January 2016

'Her Marks, a Measure'
Solo Show at Dallas Contemporary, Dallas, Texas
16 January – 20 March 2016

'Between the Bullet and the Hole’, European premiere at the International Film Festival Rotterdam, Rotterdam
27 Jan- 7 Feb

UK premiere of ‘Between the Bullet and the Hole’, alongside other films at Whitechapel Gallery, London
18 Feb 2016
Followed by discussion with Morgan Quaintance and David Alan Grier

'The future is already here - it's just not evenly distributed,' The Sydney Biennale, curated by Stephanie Rosenthal
18 March - 6 June 2016

Premiere of short film about Laurie Spiegel as part of 'Deep Minimalism' festival curated by Oliver Coates, Southbank Centre
26 June 2016

'Her Marks, a Measure' solo show at Fridman Gallery, New York
1st October 2016
Exhibition opening and catalogue launch, with newly commissioned essays by Justine Ludwig, Erika Balsom and Omar Khalif Artist in conversation with Justine Ludwig 1st of Oct 5pm (addition film screenings 26th Oct and 2nd Nov 7pm)

Screening of ‘In and Out of Synch’ Flaherty NYC, curated by Genevieve Yue and Chris Stults
3rd October 2016
Anthology Film Archives, New York

'Eyelids Leaking Light'
5th-28th October 2016
Solo show at Clifford Gallery and artist's talk at Hamilton NY

'Between the Bullet and the Hole' shortlisted for the EUROPEAN SHORTS Competition, New Horizons International Film Festival, Wroclaw, Poland
21-31st July 2016

'Little Doorways to Paths Not Yet Taken' shortlisted for Nouvaux Alchemistes, 45th Festival du Nouveau Cinema, Montreal
5-16 October 2016

'Between the Bullet and the Hole' screening as part of Experimenta, London Film Festival, BFI
9th October 2016

'Kepler's Trial' An Opera by Tim Watts based on Ulinka Rublack's book 'The Astronomer & the Witch', with film elements by Aura Satz Premieres at St John's College, Cambridge
28-29th October

'Little Doorways to Paths Not Yet Taken screening at the Showroom, London
2nd November 2016

'Where there is Sea, there are Pirates / The Imagination is a Political Act', group exhibition at 3137 gallery, Athens
10-20 November 2016

'As Above, So below: Portals, Visions, Spirits & Mystics', group exhibition at IMMA (Irish Museum of Modern Art), Dublin
13 April - 27 August 2017

'Open Space 2017: Re-envisioning the Future', group exhibition at NTT InterCommunication Center (ICC), Tokyo
29 May 2017 - 11 March 2018

29 September 2017 - 14 January 2018
'STARS', Group exhibition at Lentos Museum, Linz
Including Angela Bulloch, Hans Op de Beek, Maurizio Cattelan, Joseph Cornell, Alex Katz, Anselm Kiefer, Robert Longo, Meret Oppenheim, Trevor Paglen, Gerhard Richter, Thomas Ruff, Kiki Smith, Wolfgang Tillmans, and more.

12–15 Oct 2017
'Field Studies 2017: Listening after Pauline Oliveros’, Leeds, various venues

9 Nov 2017, 18.30 – 22.00
'Kepler's Trial’ at V&A, London
An Opera by Tim Watts based on Ulinka Rublack's book 'The Astronomer & the Witch’, with film elements by Aura Satz
’s unique process of development.

30 Nov 2017, 7pm
'The Wail that was Warning and the Institute of Signal and Noise', Aura Satz and David Toop, London Review Bookshop, London

Artist page on the website of The Wire: Adventures in Modern Music: to accompany the cross-platform feature on my work in the September 2010 issue.

This includes:
An excerpt of the filmic installation 'Sound Seam'
An excerpt of 'Automamusic'
An excerpt of 'Oramics: Atlantis Anew',
An excerpt of 'Vocal Flame',
My short film on the Theremin virtuosa Lydia Kavina,
Listen to an excerpt of 'Dial Tone Drone' on
Excerpt of 'The Trembling Line' on

Huffington Post commissioned blog
Interview on the Creators Project website
Artist's profile in Diva Magazine
Frieze magazine focus article
Interview on the Ear Room website:
Animate projects interview:
'Colour Opponent Process’ review in This Is Tomorrow
‘Colour Opponent Process’ review in Art Agenda
‘Colour Opponent Process’ review in Photomonitor
'Inside the Dial Tone-Inspired Sound Art Exhibits of Aura Satz', The Creator's Project
'1000 words: Aura Satz' in Artforum
'The Playlist', The Guardian
'500 words' in Artforum
Interview in Studio International
Cover Image for 'Parallax (Sounding/Thinking)', Vol 23, No 3




Aura Satz, Film still, Onomatopoeic Alphabet, 2010

Onomatopoeic Alphabet is short film centred around a Chladni Plate, a scientific instrument invented by Ernst Chladni, the 'father of acoustics', to visualise sound vibrations. The film explores nodal figures, sound patterns and symmetry, and uses a sine wave generator as a musical instrument. Each sound effectively produces a moving image and inspires the viewer to read the abstract imagery as not only a sound wave, notation or graphic score, but as a true representation of what is being heard. Much like an unknown hieroglyphic code, graphic shorthand or Rorschach inkblots, the images provoke unexpected associations concerning the shape of sound and the graphic systems of language and communication. The film looks like a musical score of sorts, as well as a bizarre ever-changing alphabet that morphs like an organic living being in response to the changing audio-visuals. The film engages in a reflexive and reversible relationship between image and sound, cause and effect, the indexical trace and the symbolic code. The graphic sequences evoke utopian ideas around the possibility of universal language, a system of signs decipherable by all.


Screened at the 51st New York Film Festival
'Views from the Avant-garde',
curated by Mark McElhatten
3rd-7th October 2013

The Film Society of Lincoln Center
70 Lincoln Center Plaza
New York, NY 10023-6595


'Soundfigures' exhibition
Solo retrospective at Blaak 10, as part of the 42nd International Film Festival Rotterdam
curated by Edwin Carels
23 January - 3 February 2013

Blaak 10 Gallery
Witte de Withstraat 7
3012 BL Rotterdam
The Netherlands


Onomatopoeic Alphabet was included in the group exhibition
'The Sight of Sound'

Deutsche Bank VIP Lounge, Frieze Art Fair
4–7 May 2012, performance on the 5th May 2pm

Wherever we are, what we hear is mostly noise. When we ignore it, it disturbs us. When we listen to it, we find it fascinating.  
John Cage
Group exhibition including John Cage, Christian Marclay, Jorge Macchi, Jenny C. Jones, David Ellis and Aura Satz.
Selected works feature artists from the Deutsche Bank Collection who reference music in a variety of ways:  as a structural or notational device, a vehicle for chance and improvisation, or as a social platform for communicating identity.  These artists from different generations share a trajectory of using musical forms as a source and framework. The theme underscores Deutsche Bank’s global commitment to supporting art and music, and promoting cultural advancement through the intersecting worlds of ideas and practices.
The historical influence of musical sound on visual artists is immeasurable, but its effect upon form, process, and conceptual art has clearly become more prevalent in modern times.  From Piet Mondrian’s painting, “Broadway Boogie Woogie,” his homage to jazz, to John Cage and Nam June Paik’s experiments with performance-driven work, to real-time musical interactions via satellite, video and digital interfaces, the relationship between the aural and visual arts are continually shape-shifting.

Frieze Art Fair on Randall's Island, Manhattan


Onomatopoeic Alphabet
Aura Satz, AEIOU Sketch, 2010


AEIOU was included in the group exhibition 'In Search of Alchemic Times', curated by Cecilia Wee
5 August - 3 September 2011

Artists: Aura Satz, Charlesworth, Lewandowski & Mann, Jennifer Walshe, Liliane Lijn, Nathan Witt, Peter Lewis and Makiko Nagaya, Rowena Harris, Steven Ounanian, Tom Badley, Unrealised Projects.

Thursday - Saturday 12-6pm Wednesdays by appointment

235 Brompton Road
London SW3 2EP
tel: 07527 640 419


ONOMATOPOEIC ALPHABET and AEIOU were originally commissioned by VIVID and were shown as part of the exhibition '
2-18 Dec 2010

An international selection of moving image, exhibition, discussion and print which explored the constructs of language and meaning from far reaching cultural perspectives. The exhibition spanned film which reflected the post-Structuralist theories of the 1970s to documented actions and contemporary works newly commissioned by VIVID. In response to a subject of such historical depth the exhibition incorporated a range of approaches from Iranian artist Barbad Golshiri's direct and political challenge to the language of spiritual authority to Gary Hill's stretching out of the possibilities for image as language and the physicality of sound. Artists included: John Adams, William Burroughs, Barbad Golshiri, Gary Hill, Valerie Mrejen, Aura Satz, Guy Sherwin, Margaret Tait, and Olivier Zabat.

A screening and events programme ran throughout, including screenings from Video Data Bank's John Smith Anthology, Valerie Mrejen, Pork and Milk (2004), Marcia Jarmel and Ken Schneider, Speaking in Tongues (2009) and Samuel Beckett, Not I (1975).

VIVID also commissioned a performance by artist Aura Satz on the 17th Dec 2010; using a Chladni plate, some tuning forks, and other such contraptions, Satz performed an annotated, illustrated, fragmented talk on sound, its visualisation, and the utopian belief in a universal alphabet.

Alongside the film Onomatopoeic Alphabet, Aura Satz presents AEIOU, a small multi-channel sound sculpture using hearing trumpets, and featuring voice artist Mikhail Karikis. Inspired by research indicating that each vowel corresponds to an instrinsic pitch, each trumpet emits a differente vowel sound, creating unusual overtones and beats.

140 Heath Mill Lane
Birmingham B9 4AR
Tel: +44 (0) 121 766 7876
Fax: +44 (0) 871 251 0747


Installation of 'AEIOU' and 'Onomatopoeic Alphabet' at VIVID, photo Oona Luras Wiggan

Onomatopoeic Alphabet was written, directed, filmed, recorded and edited by Aura Satz

Sine wave music and voiceover by Aura Satz
Featuring voice artist Mikhail Karikis
Dubbing mix by Gernot Fuhrmann

Aura Satz would like to thanks Mikhail Karikis, Danielle Chin, Prokit, Chris Pierce, and Raf Gasak.


An article on Chladni patterns by Aura Satz appears in Cabinet magazine, "Shapes with the Sound of Their Own Making, The many resonances of the Chladni plate", 24 Hours, Issue 44 Winter 2011/12